Inside Away’s new ‘programming’ strategy for social media
“When you have strong brand storytelling, when you have strong brand activations and moments, it lifts all boats,” Quynh Dang, VP of brand, told us.
Kristina Monllos is a senior reporter for Marketing Brew. She has spent over a decade covering the advertising business for publications like Digiday and Adweek. Her reporting has also appeared in publications like Rolling Stone, New York Magazine's Vulture and Elle, among others. She is also a filmmaker.
“When you have strong brand storytelling, when you have strong brand activations and moments, it lifts all boats,” Quynh Dang, VP of brand, told us.
Ads across industries imbued with human-centric optimism is like “the real-life version of Captcha,” Andy Pearson, VP of creative for Liquid Death, said.
“People want more for their money, and it goes beyond the food,” Sheena Dougher, VP of brand marketing at Jack in the Box, told us.
The organization’s general perspective is that “if it’s not labeled, and it causes consumer deception,” it could pose a problem, Caroline Giegerich, VP of AI at the IAB, said.
“Where there are cultural conversations that your brand can earn the right to be in, add some value and show up,” Sara Brooks, chief growth officer for the brand, told us.
Directed by Maggie Gyllenhaal and starring Dakota Johnson and Ellen Burstyn, ‘Flesh Impact’ is set to premiere at the Venice Film Festival this September.
The platform’s new shopping section—and the ad campaign to go with it—are designed to emphasize the benefit to buying embarrassing items and sidestepping social discomfort, the brand’s head of social told us.
Pantone exec tells us what it’s like to market Color of the Year.
Over the last six months, the desire for “nostalgia millennial talent” has increased, a UTA agent told us.
The brand’s World Cup efforts, helmed by an athlete-packed hero film that took 42 days of filming, attracted 3 billion total views across platforms.