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Will bots end social listening as we know it?

It’s Monday, and all things must come to an end. A 13-year partnership between Under Armour and Stephen Curry abruptly ended late last week, giving the basketball player the ability to bring his shoe and apparel company, Curry Brand, to another company partner.

In today’s edition:

—Katie Hicks, Kristina Monllos, Alyssa Meyers, Holly Van Leuven

BRAND STRATEGY

A robot Customer Service AI Assistant typing on laptop

Illustration: Brittany Holloway-Brown, Photo: Top Stock/Adobe Stock

It’s hard to know what’s real these days.

For marketers, that goes beyond outlandish headlines or AI slop. Outsized reactions to brand campaigns and rebrands in online spaces have dominated headlines this year, prompting brand hand-wringing and business course-changing—but those reactions aren’t always entirely real.

This summer, Cracker Barrel rolled out a rebrand that quickly appeared like it was being disastrously received by the public, but narrative intelligence platform PeakMetrics found that the backlash to the rebrand was disproportionately driven by bots, meaning that the company’s eventual decision to backtrack could have been informed, at least in part, by artificial activity. Cracker Barrel did not respond to a request for comment.

PeakMetrics has also tracked bot attacks targeting American Eagle, McDonald’s, Boeing, and the PGA this year, finding that automated accounts often amplify organic criticism in an apparent effort to shape public opinion and, in some cases, shift geopolitical narratives about certain brands.

Molly Dwyer, director of insights at PeakMetrics, told us that generative AI has made it easier than ever to create and operate bot networks, making it likely that inauthentic activity will grow across social channels as certain bad actors seek to cause chaos, push specific narratives, or simply monetize engagement.

“More of the content that we’re seeing is not necessarily created by bots, but is being amplified by bots,” she said. “That’s messing with our sense of reality and what matters.”

As real consumer insights become muddled online, brands are looking to agencies and intelligence platforms to help filter out bot posts and parse what real consumers have to say. But with bot activity showing no signs of slowing down, social listening alone is no longer enough for brands to understand how consumers are responding.

Continue reading here.—KH, KM

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SPORTS MARKETING

PWHL Seattle and Vancouver logo lockups

PWHL

Before hockey takes center stage—or center rink—during the Winter Olympics in February, the puck will drop for the third season of the Professional Women’s Hockey League later this month.

This season, the league is welcoming two expansion teams from Seattle and Vancouver, whose additions were first announced in April. Their brand identities, including team names, logos, and colors, have been in the works since about that time, according to Kanan Bhatt-Shah, VP of brand and marketing for the PWHL, and were released to the public earlier this month.

In other words, say hello to the Seattle Torrent and the Vancouver Goldeneyes.

“In both markets, nature is something that is so prevalent,” Bhatt-Shah told Marketing Brew. “From the minute you get out of the airport, you can feel it in the air…That was really the starting point from a color standpoint.”

As was the case for the original six teams, the PWHL’s marketers took their time constructing the identities for the Torrent and Goldeneyes as league execs look to keep the passionate fanbase for women’s hockey engaged through the evolution of the sport.

Read more here.—AM

Together With Canva

TV & STREAMING

a microdrama being filmed

A microdrama being filmed. Jade Gao/Getty Images

The new frontier of video entertainment is the microdrama, where the plots are wildly contrived and quality absolutely does not matter.

A crash course in cutting-edge media: Microdramas are mobile-first episodic narratives filmed in vertical format, like a TikTok or Instagram Reels. They are essentially feature films shot for around $200,000 total and then divided into ~2-minute installments:

  • Viewers can binge a few “episodes” before being prompted to sign up for an account at a specific microdrama app. In the US, the leading contenders are DramaBox, FlareFlow, and ReelShort.
  • The business model echoes that of “freemium” mobile games. To advance through the narratives, viewers have to watch ads or make in-app purchases.

Hollywood invasion: The format took off in China—where it’s called “duanju”—and made $7 billion last year, surpassing the country’s domestic box office for the first time, according to Variety.

In 2024, US revenue for microdrama reached $819 million, which is projected to rise to $3.8 billion by 2030, according to Variety. That’s less than half of what the US box office brought in last year.

Continue reading on Morning Brew.—HVL

Together With Modern Craft

FRENCH PRESS

French Press

Morning Brew

There are a lot of bad marketing tips out there. These aren’t those.

Brick by brick: How Lego masters community-led branding.

Around the world: Travel and tourism social media marketing 101.

Look inward: A guide on conducting a brand awareness survey.

Story time: Be the executive who can tell a clear equity story. Fidelity Private Shares helps early- and growth-stage companies stay investor-ready with cap table, data room, and scenario modeling. Learn more.*

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IN AND OUT

In and Out Marketing Brew

Francis Scialabba

Executive moves across the industry.

  • Walmart CEO Doug McMillon plans to retire early next year; Walmart US CEO John Furner has been tapped to replace him.
  • Cirque du Soleil tapped Moët Hennessy vet Mark Cornell as CEO.
  • Kartel, an AI startup, hired former NBC and Fox exec Kevin Reilly as CEO.
  • Nielsen hired streaming veteran Peter Naylor as chief client officer.

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